PRESS & REVIEWS

THIS REALLY IS TOO MUCH

 

☆ ☆ ☆ ☆

Theatre Bubble

“A storming tract and a masterful piece of modern theatre”

☆ ☆ ☆ ☆ ☆

Three Weeks

“This is a remarkable, genre- defying performance, superbly written and fantastically performed”

☆ ☆ ☆ ☆

The Wee Review

”A darkly radical look at modern society from a female perspective'“

☆ ☆ ☆ ☆

Broadway Baby

“Slick choreography forms striking image after striking image”

☆ ☆ ☆ ☆

Edfringe Review

“Delicately balancing skilfully crafted verse with impeccably executed physical theatre”

☆ ☆ ☆ ☆

Edfringe Review

“Absurd, hilarious…This Really Is Too Much deserves the highest praise”

Theatreboard

“A madcap satirical exploration of gender stereotyping, delivered with infectious energy and a mischievous glint in the eye...brilliantly creative”

The F Word

“A multifaceted, funny piece of performance”

Norwich Radical
– Feminist Pick of the Fringe

“Watch not only for its feminism, but also for the talents of these four young women as they dance across the stage”

Savage Journal

“An uncomfortable, probing piece of new writing that challenges what is expected – if not demanded – of women”

Culturised

"The performance manages to be both entertaining and disturbingly truthful, even through its visual absurdity"

Exeunt

"Gleeful...compelling"

A Younger Theatre

"Entertaining first, then intelligent and meaningful on top"

 
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THIS IS NOT A WEDDING

 

Always Time For Theatre

“Bold and defiant...it’s in the dance sequences that most of the impressive material lies, bringing movement which lingers somewhere between mania, fierce intensity and playful seduction to the fore with mesmerising contortions and synchronisation...

... this is a bold company delivering bold experimental work which screams contemporary defiance into the ears of convention. With a finger raised on each hand. And a deadpan stare. With bared teeth. And a pretty dress for good measure, naturally...”

The Witham Online Blog

Through frenzied dance numbers, panicked speeches, and a lot of running in circles, (This Is Not A Wedding) descends magnificently into chaos. It was just as brilliant as it sounds—with the tone ricocheting from pantomime comedy into thick and pensive silences...

I loved how engaged everyone was (whether entertained and refreshed, or thoughtful and slightly scandalised)—I found it really empowering.”


Culture Vulture

“A brilliantly observed pastiche…hilarious.”

British Theatre Guide

“…the company has a real gift for striking physical imagery, visual imagination and the use of unconventional, memorable gestural work in witty and unexpected combinations.

Exuent

“…fantastically tongue-in-cheek…”

 
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